Tvetan Todorov’s narrative theory
He stated narratives are led by events in a cause and effect
format.
·
The narrative starts with an equilibrium
·
An action/Character disrupts the equilibrium
·
A quest to restore the equilibrium ensues
·
The narrative moves to a confrontation or climax
·
Resolution/Equilibrium is restored
This is a simple structure, and some
texts defy the idea of a
resolution or return to equilibrium, as they seek to challenge audiences
by offering open-ended narratives that require the audience to interpret what
they understand by the ending.
Other resolutions are far from a
‘return to equilibrium’ – the audience comes to realise that the only
resolution will be a tragic one and there will be no return to equilibrium for
the main characters.
Our Thriller would adhere to
Todorovs narrative theory as we start with an equilibrium, which is then
resolved through the use of flashbacks until the film returns to the disequilibrium.
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